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Helen Levitt: 1913-2009

August 31, 2016 By Wendy Campbell

Since I’m inarticulate, I express myself with images.  —Helen Levitt

Helen Levitt - portrait - 1963Born on August 31, 1913 in Bensonhurst, Brooklyn, New York, Helen Levitt was once called (by David Strauss in a 1997 Artforum International article) “the most celebrated and least known photographer of her time.” Perhaps this lack of recognition stems from Levitt’s tendency to be an “intensely private” person who did not seek fame and rarely gave interviews. Perhaps it was because she did not wish to assign “social meaning” to her photographs—a lesson she learned after meeting photographer Henri Cartier-Bresson—that a photograph could “stand up by itself.”

Leaving high school in her senior year, Levitt began working in 1931 for the commercial portrait photographer J. Florian Mitchell, who was known to the family.  “I helped in darkroom printing and developing,” she said. “My salary was six bucks a week.” It was during this time that she taught herself photography.

Levitt was influenced by the photographic styles of Henri Cartier-Bresson, Walker Evans, and Ben Shahn. She met and accompanied Cartier-Bresson on a photographic shoot of the Brooklyn waterfront in 1935 and the following year, bought a second hand Leica, the camera Cartier-Bresson preferred. Between 1938-39, Levitt was mentored by and worked with Walker Evans but she gave more credit to photographer Ben Shahn and his gritty photos of New York of the 1930s.

Helen Levitt-New York-1940 © The Estate of Helen LevittLevitt found success early on, and in July 1939, her work was published in Fortune magazine. In 1940, her Halloween photograph was included in the inaugural exhibition at Museum of Modern Art as part of its new photography section. In 1943, Levitt had her first solo exhibition at the Museum of Modern Art (Helen Levitt: Photographs of Children March 10-April 18).

In a rare interview in 2001 for NPR, Levitt talked about her street photography: “It was a very good neighbourhood for taking pictures in those days, because that was before television, there was a lot happening. And then the older people would sometimes be sitting out on the stoops because of the heat. They didn’t have air conditioning in those days. It was, don’t forget, in the late ’30s. So those neighbourhoods were very active.” (listen to/read the interview)

Levitt also worked in film and spent most of her time from 1949-59 as a full-time film editor and director. Notably, during this period, she worked on two documentary films, In the Street with friend and painter Janice Loeb and the writer James Agee, and The Quiet One (1948). The Quiet One writers, Sidney Meyers, Loeb, and Levitt, were nominated for the Best Writing, Story and Screenplay Academy Award. The film was also nominated for Best Documentary Feature. The National Board of Review named it the second best film of 1949. Levitt continued working in film making for almost twenty-five years.

When Levitt returned to photography in 1959, she was among the first photographers to work in colour. She received Guggenheim fellowships in 1959 and 1960 for these projects. Sadly, a great deal of Levitt’s early colour work was stolen from her New York apartment in the late 1960s.

Comprehensive surveys of Levitt’s work were held at the Sidney Janis Gallery in New York in 1980 and at the Laurence Miller Gallery in 1987. However, it was not until 1991 that she gained significant recognition when the first national retrospective of her work at the San Francisco Museum of Modern Art was held. The exhibition showed at other major museums including the International Center for Photography, New York (1997), and the Centre National la Photographie, Paris (2001). In 2007, Helen Levitt: Un Art de l’accident poetique, opened at the Fondation Henri Cartier-Bresson in Paris. In 2008, Levitt was the recipient of the Spectrum International Photography Prize which included a major retrospective at the Sprengel Museum in Hannover, Germany. Also in the fall of 2008, a major retrospective was held at FOAM Museum in Amsterdam. In that same year, Levitt received the Francis Greenburger award for excellence in the arts.

On March 29, 2009, Helen Levitt died in her sleep at the age of 95.

James Agee (1909-1955), a good friend of Levitt, wrote “Helen Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know. In their general quality and coherence, moreover, the photographs as a whole body, as a book, seem to me to combine into a unified view of the world, an uninsistent but irrefutable manifesto of a way of seeing, and in a gentle and wholly unpretentious way, a major poetic work.“

Helen Levitt New-York-1939 © The Estate of Helen Levitt
Helen Levitt New-York-1939 © The Estate of Helen Levitt
Helen Levitt New-York-1938 © The Estate of Helen Levitt
Helen Levitt New-York 1940 © The Estate of Helen Levitt
Helen Levitt New-York-1940 Helen Levitt-New York-1940 © The Estate of Helen Levitt
Helen Levitt New-York-Foreign-Legion-1942 © The Estate of Helen Levitt
Helen Levitt-New York-1940 © The Estate of Helen Levitt
Helen Levitt New York-1940 © The Estate of Helen Levitt
Helen Levitt New-York-1959 © The Estate of Helen Levitt
Helen Levitt New-York-1978 © The Estate of Helen Levitt
Helen Levitt New-York-1939 © The Estate of Helen Levitt

Sources: New York Times, NPR, Artsy, Lawrence Miller Gallery

All images copyright ©  The Estate of Helen Levitt

 

Filed Under: ART, Photography, Women in Visual Arts Tagged With: American photography, Ben Shahn, Helen Levitt, Henri Cartier-Bresson, Henri Cartier-Bresson Birthday, In the Street, Janice Loeb, New York Photography, street photography, The Quiet One

Man Ray: 1890 – 1976

August 27, 2016 By Wendy Campbell

Larmes-(tears)- Man Ray-1930Born Emmanuel Radnitzky on August 27, 1890 in Philadelphia, PA, Man Ray was an influential artist, best known for his avant-garde photography. He was a leading figure (and the only American) to play a significant role in the Dada and Surrealist movements.

Ray grew up in Brooklyn, New York and showed artistic ability at an early age. He studied drawing under Robert Henri and George Bellows at the Francisco Ferrer Social Center (Modern School). Upon his completion of his classes, Ray lived in the art colony of Ridgefield, New Jersey. There, he illustrated, designed and produced small pamphlets (Ridgefield Gazook – 1915) and A Book of Diverse Writings.

Ray had his first solo show at the Daniel Gallery in New York in 1915 and shortly after became interested in photography.  Around the same time, he became friends with Marcel Duchamp with whom he founded the Society of Independent Artists in 1916. In 1920, along with Duchamp, Katherine Dreier, Henry Hudson, and Andrew McLaren, Ray founded the Société Anonyme, a group that sponsored lectures, concerts, publications, and exhibitions of modern art.

In 1921, May Ray moved to Paris where he settled for twenty years. He became involved with Dada and Surrealist artists and writers such as Jean Cocteau, Max Ernst, Salvador Dali, Paul Eluard, Pablo Picasso, and others.  While in Paris, Ray worked with different media and produced a variety of works. In 1922, he began experimenting with his version of a photogram which he called a “rayograph” – the process of creating images from placing objects on photo-sensitive paper.  Ray likened his technique to painting saying that he was “painting with light”.

In the 1920s and 30s Ray earned a steady income as a portrait photographer and as one of the foremost fashion photographers for Harper’s Bazaar, Vu, and Vogue. In the late 1920s Ray won recognition for his experiments with Sabattier (solarization process) and many of the Surrealists followed his example of using photography in their works.

Man Ray also made his mark in the avant-garde film circles in the 1920s. In “Le Retour à la Raison”, he created his first “cine-rayographs’ – sequences of cameraless photographs. Other films including “Emak Bakia” (1926), L’Etoile de Mer” (1928), and Les Mystères du Château de Dé” (1929) are now classics of the Surrealist film genre.

In 1940, at the beginning of World War II, Man Ray left Paris and moved to Los Angeles where he focused on painting and creating objects. While there, he also met and married Juliet Browner, a dancer and artists’ model. He remained in LA until 1951 when he returned to his home in Paris. He continued working in a variety of mediums, but it was to be his photography that would have the greatest impact on 20th century art. In 1963, he published his autobiography “Self-Portrait”.

Man Ray died in Paris on November 18, 1976. His epitaph at the Cimetière du Montparnasse, reads: “unconcerned, but not indifferent”. Juliet Browner died in 1991 and she was interred in the Ray’s tomb. Her epitaph reads, “together again”. Before her death, Browner had set up a charitable trust and donated much of Ray’s work to museums.

Man Ray - Black and White - 1926
Man Ray Rayograph 1934
Man Ray - Ingres Violin - 1924
Man Ray - The Gift -1921
Man Ray - a l'heure
Man Ray - Duchamp as Rrose Sélavy - 1920-21
Man Ray Portrait of Alfred Stieglitz - 1913
Man Ray Orquesta Sinfonica - 1916
Man Ray Self Portrait - 1941
Man Ray
Man Ray - veiled erotic meret oppenheim - 1933
Man Ray Rayograph - 1922
Man Ray - Solarisation - 1931
Man Ray
Man Ray, Lee Miller Kissing a Woman. Gelatin silver print. Musée National d'Art Moderne, Centre Georges Pompidou, Paris.
Man Ray Larmes (tears) 1930
Rayograph (The Kiss) by Man Ray, 1922

Sources: MOMA, Guggenheim Museum,  Wikipedia Images: USC, Ciudad de la Pintura

Filed Under: ART, Art History, Painting, Photography Tagged With: American Art, avant guarde, Dada, Man Ray, Man Ray Birthday, Surrealsim

DAF Group Feature: Vol. 170

August 25, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of Andrew Hem, Andy Scott, Meredith Marson, Ostinelli & Priest, Sigalit Landau, Vadim Stein, Wolf Ademeit, Elisabeth Higgins O’Connor and the video All the art in London in one day by Alex Gorosh who documents his attempt to see every piece of art in London in one day. (in collaboration with Art Fund U.K.’s National Art Pass)

All the art in london in one day from Alex Gorosh on Vimeo.

Andrew Hem huang-gang China andrewhem.com
Andy Scott The-Kelpies scottsculptures.co
Meredith Marsone Loveloss-II meredithmarsone.com
Vadim Stein 500px.com/stein
Sigalit Landau Salt-Bride sigalitlandau.com
Ostinelli & Priest ostinellipriest.co.uk
Elisabeth Higgins Oconnor Suyama-Space-Seattle-2015 elisabethhigginsoconnor.com
Wolf Ademeit The-Kodiak wolfademeit.com

Filed Under: Contemporary Art, Group Feature, Installation, Mixed Media, Nature, Painting, Photography, Sculpture, Street Art, Video Tagged With: Alex Gorosh, Andrew Hem, Andy Scott, Elisabeth Higgins O'Connor, Meredith Marson, Ostinelli & Priest, Sigalit Landau, Vadim Stein, Wolf Ademeit

Henri Cartier-Bresson: 1908 – 2004

August 22, 2016 By Wendy Campbell

Henri Cartier-Bresson photo-by-Arnold-Newman-New-York-1946Born on August 22, 1908, in Chanteloup, Seine-et-Marne, near Paris, Henri Cartier-Bresson is considered by many to be the father of modern photo-journalism.

In 1927, Cartier-Bresson studied painting at the Lhote Academy in Paris under Cubist painter and sculptor André Lhote. He turned to photography in 1931 when he acquired a Leica 35mm camera – a camera that, unlike its bulky predecessors, was ideal for capturing action.

Cartier-Bresson preferred an unobtrusive (“a fly on the wall”) approach to photography. This approach helped to develop the real-life reporting (candid photography), that has influenced generations of photo-journalists.

Cartier-Bresson traveled the world photographing “the times” in Russia, China, Cuba, India, Israel, Japan, Mexico, Turkey, Europe, and the United States. He photographed events such as the funeral of Gandhi, the fall of Beijing, and the liberation of Paris. Cartier-Bresson’s main body of work however was of human activities and the institutions of society. In every country, he sought out market places, weddings, funerals, people at work, children in parks, adults in their leisure time, and other every-day activities.

During the Battle of France, in June 1940, Cartier-Bresson was captured by German soldiers and spent 35 months in prisoner-of-war camps doing forced labour under the Nazis. He escaped in 1943 and began working for MNPGD, a secret organization that aided prisoners and escapees. At the end of the war, Cartier-Bresson directed “Le Retour” (The Return), a documentary on the repatriation of prisoners of war and detainees.

In 1947, along with Robert Capa, David Seymour, William Vandivert, and George Rodger, Cartier-Bresson founded the co-operative agency “Magnum Photos”. The aim of Magnum was to allow photographers to “work outside the formulas of magazine journalism”.

In 1952, Cartier-Bresson published a book of his photographs entitled ” Images à la Sauvette” (images on the run),  with the English title “The Decisive Moment”. In the 1960s he created 16 portraiture stories entitled “A Touch of Greatness” for the the London magazine “The Queen”. The stories profiled personalities such as Leonard Bernstein, Arthur Miller, Robert Kennedy and others.

In 1968, Cartier-Bresson left Magnum Photos and photography in general, focusing once again on drawing and painting. He retired from photography completely by 1975 and had his first exhibition of his drawings at the Carlton Gallery in New York in 1975.

From 1975 on, Cartier-Bresson continued to focus on drawing. In 1982 he was awarded the Grand Prix National de la Photographie in Paris, and in 1986, the Novecento Prize in Palermo, Italy.  In 1988, the Museum of Modern Art in New York held an exhibition of his photographs, “Henri Cartier-Bresson: The Early Work”.

In 2003, Cartier-Bresson, along with his wife Martine Franck and their daughter Mélanie, launched the Henri Cartier-Bresson Foundation, to provide a permanent home for his collected works and an exhibition space for other artists. Cartier-Bresson died peacefully on August 3, 2004 in Montjustin, Provence. He was buried in the cemetery of Montjustin, Alpes-de-Haute-Provence, France.

For a complete biography of Henri Cartier-Bresson, visit the HCB Foundation or for a good source of photos visit Magnum Photos.

Henri Cartier-Bresson Seville, Spain
Henri Cartier-Bresson
Henri Cartier-Bresson Liverpool
Henri Cartier-Bresson
Henri Cartier-Bresson
Henri Cartier-Bresson Quai-de-Javel (Ragpickers)
Henri Cartier-Bresson
Henri Cartier-Bresson Brussels1932
Henri Cartier-BressonAlbert-Camus-1944
Henri Cartier-Bresson
Henri Cartier-Bresson Hamburg,-Germany.-The-sign-reads,-Looking-for-any-kind-of-work-1952-1953
Henri Cartier-Bresson Near-Strasbourg-France-1944
Henri Cartier-Bresson Naples-Italy-1960
Henri Cartier-Bresson New-York-1960

Sources: Met Museum,  HCB Foundation, Wikipedia

Filed Under: ART, Art History, Photography Tagged With: French Art, French Photographers, Henri Cartier-Bresson, Magnum Photos, photo journalism

DAF Group Feature: Vol. 169

August 18, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of Sofia Bonati, Amy Gesner, Chrystal Wagner, Lisa Kristine, Izumi Kato, Jonathan Nyik Fui, Mike Dargas, Nazar Bilyk and a time lapse video of the making of Etnias (Ethnicities), a larger-than-life work created by Brazilian artist Eduardo Kobra for the Olympic and Paralympic Games in Rio de Janeiro. The 3,000 square metre mural depicts Indigenous faces from the five continents, and was created at Porto Maravilha in Rio.

Amy Genser amygenser.com
Nazar Bilyk bilyknazar.com
Lisa Kristine listkristine.com
Sofia Bonati behance.net/soffronia
Jonathan Nyik Fui yourshot.nationalgeographic.com/profile/1326831
Mike Dargas mikedargas.com
Izumi Kato izumikato.com
Chrystal Wagner Flux Installation crystalwagner.com

Buy work from contemporary artists and artisans at the DAF shop.

Filed Under: ART, Group Feature, Illustration, Installation, Mixed Media, Painting, Photography, Sculpture, Street Art, Video Tagged With: Amy Gesner, Chrystal Wagner, contemporary art, Eduardo Kobra, Izumi Kato, Jonathan Nyik Fui, Lisa Kristin, Mike Dargas, Nazar Bilyk, Sofia Bonati

DAF Group Feature: Vol. 168

August 12, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of nine contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of Anne Lemanski, Cameron Mathieson, Elizaveta Porodina, Linus Lundin (aka YASH), Andrea Myers, JR, Meryl McMaster, Aida Muluneh and the short film “Balance” by photographer/director Tobias Hutzler, inspired by Rigolo Swiss Nouveau Cirque artist Maedir Eugster.

Tobias Hutzler - BALANCE from Tobias Hutzler on Vimeo.

Andrea Myers andreamyersartist.com
Christine Wu misschristinewu.com
Cameron Mathieson llightness.ca
Anne Lemanski annelemanski.com
Elizaveta Porodina porodina.net
Linus Lundin YASH instagram.com/linuslundin
Meryl McMaster Anima-2012-merylmcmaster.com
JR Rio Olympics 2016
Aida Muluneh at David Krut Projects-davidkrutprojects.com/artists/aida-muluneh

Filed Under: ART, Painting, Photography, Sculpture, Street Art, Video Tagged With: Andrea Myers, Anne Lemanski, Cameron Mathieson, Elizaveta Porodina, JR, Linus Lundin, Meryl McMaster, Tobias Hutzler, YASH

Andy Warhol: 1928 – 1987

August 6, 2016 By Wendy Campbell

Andy Warhol Self Portrait 1986Born Andrew Warhola on August 6, 1928 in Pittsburgh, Pennsylvania, Andy Warhol was a painter, printmaker, and filmmaker and a pivotal figure in the formation of the Pop Art movement.

Warhol was the son of working-class Slovakian immigrants. His frequent illnesses in childhood often kept him bedridden and at home. During this time, he formed a strong bond with his mother.  It was what he described as an important period in the formation of his personality and skill set.

Warhol studied at the School of Fine Arts at Carnegie Institute of Technology in Pittsburgh (now Carnegie Mellon University), majoring in pictorial design. In 1949, he moved to New York City where he quickly became successful in magazine illustration and advertising, producing work for publications such as Vogue, Harper’s Bazaar, and the The New Yorker.

Much of Warhol’s work in the 1950s was commissioned by fashion houses and he became known for his whimsical ink drawings of I. Miller shoes. In 1952, Warhol’s illustrations for Truman Capote’s writings were exhibited by the Hugo Gallery in New York and he exhibited at several other venues in the 1950s including a 1956 group show at the Museum of Modern Art. Warhol received several awards during this decade from the Art Directors Club and the American Institute of Graphic Arts.

Warhol was enthralled with Hollywood celebrity, fashion, and style and by the early 1960s these interests were reflected in his artwork. Borrowing images from popular culture, Warhol’s “Pop Art” paintings were characterized by repetition of everyday objects such as soup cans, Coca Cola bottles, and 100 dollar bills.  He also began painting celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor.

Most of Warhol’s paintings were produced in his studio,  he called “The Factory”, with the help of assistants. Photographic images were screen-printed on to painted backgrounds and mechanically repeated – a process that mimicked the manufacturing industry and parodied mass consumption. During the Factory years, Warhol associated with and “groomed” a variety of artists, writers, musicians, and underground celebrities including Edie Sedgwick, Viva, writer John Giorno, and filmmaker Jack Smith.

Warhol worked prolifically in a range of media including painting, photography, drawing, sculpture, and film. Between 1963 and 1968 he produced more than 60 films and about 500 short “screen test” portraits of his studio visitors. His most popular and successful film was Chelsea Girls, made in 1966.

On June 3, 1968, Warhol and art critic/curator Mario Amaya, were shot by Valerie Solanas after she was turned away from the Factory studio. Warhol’s wound was almost fatal and would affect him physically and mentally for the rest of his life. (Amaya was released after treatment for bullet grazes across his back.)

The 1970s was a quieter decade for Warhol who concentrated more on portrait commissions for celebrities such as Mick Jagger, John Lennon, Michael Jackson, and others. He founded Interview Magazine and in 1975 published “The Philosophy of Andy Warhol” which expressed the idea that “Making money is art, and working is art and good business is the best art.” During the 1970s Warhol was also involved in a number collaborations with young artists such as Jean-Michel Basquiat, Francesco Clemente and Keith Haring.

In general, Andy Warhol was consistently ambiguous on the meaning of his work and appeared indifferent and ambivalent. He denied that his artwork carried any social or political commentary.

Warhol died in New York City on February 22, 1987 of a cardiac arrhythmia while recovering from routine gallbladder surgery. In his will, almost his entire estate was dedicated to the “advancement of the visual arts”. The Andy Warhol Foundation for the Visual Arts was founded in that same year and it remains one of the largest grant-giving organizations for the visual arts in the United States today.

Andy-Warhol - Marilyn - 1967
Self-Portrait - Andy Warhol - 1986
Andy Warhol-Brillo Boxes-1964
Andy Warhol, Kiss, 1964 - film still
Andy Warhol - 100 Soup Cans - 1962
Andy Warhol - 200-One-Dollar Bills-1962
Andy Warhol - We kill for peace - 1985-86
Andy-Warhol-Flowers-1970
Andy-Warhol - Michael-Jackson - 1984
Andy Warhol - Boy with Flowers - 1955-57
Andy Warhol - Triple Elvis -1964
Andy Warhol-Gold Marilyn Monroe-1962
Andy-Warhol-The-Last-Supper-1986
Andy Warhol-Mick Jagger - 1975
Andy Warhol - Men in Her Life 1962
Andy Warhol-Mao Tse Tung-1972
Andy Warhol - Hot Dog - 1957-58
Andy Warhol-Goethe-1982
Andy-Warhol-Bottles-of-Coca-Cola-1962

Sources: MOMA, Guggenheim, National Gallery of Canada, Andy Warhol Foundation, Wikipedia

Filed Under: ART, Art History, Drawing, Illustration, Mixed Media, Painting, Photography Tagged With: American Art, Andy Warhol, Pop Art, The Factory

DAF Group Feature: Vol. 167

August 3, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of nine contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of David Breuer-Weil, Floyd Elzinga, Gilles Bensimon, Gil Maia, Igor Melnikov, JR, Marchal Mithouard (aka Shaka), Mohau Modisakeng and Zeng Fanzh.

Gilles Bensimon artsy.net/artist/gilles-bensimon
David Breuer-Weil Emergence-2012 davidbreuerweil.com
Gil Maia gilmaia.com
Floyd Elzinga floydelzinga.com
JR - Rio-De-Janeiro2016 jr-art.net
Igor Melnikov melnikovart.com
Zeng Fanzh artsy.net/artist/zeng-fanzhii
Marchal Mithouard (Alias Shaka) shaka1.fr
Mohau Modisakeng Fossils-2016 mohaumodisakengstudio.com

Filed Under: ART, Drawing, Group Feature, Mixed Media, Painting, Photography, Sculpture, Street Art Tagged With: contemporary, David Breuer-Weil, Floyd Elzinga, Gil Maia, Gilles Bensimon, Igor Melnikov, JR, Marchal Mithouard, Mohau Modisakeng, Shaka

DAF Group Feature: Vol. 166

July 28, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of nine contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of DALeast, Janko de Beer, Norman Stiff, Steve Driscoll, Andy Goldsworthy, Alessandra Maria, Katharine Morlin, Kim Leuenberger and a video with body painter Alexa Meade.

So Random: Alexa Meade from Refinery29 on Vimeo.

Steve Driscoll stevedriscoll.com
Janko de Beer jankodebeer.com
Alessandra Maria alessandramaria.com
Katharine Morling katharinemorling.co.uk
Kim Leuenberger kimleuenberger.com
Norman Stiff Celtic-Drawings
DALeast daleast.com
Andy Goldsworthy

Filed Under: ART, Group Feature, Installation, Painting, Photography, Sculpture, Street Art, Video Tagged With: Alexa Meade, Andy Goldsworthy, DALEast, Janko de Beer, Norman Stiff, Steve Driscoll

DAF Group Feature: Vol. 165

July 21, 2016 By Wendy Campbell

Your Weekly Mixx! DAF’s Weekly Mixx is a selection of contemporary artworks and/or art related videos chosen from artist and gallery submissions and from our own search for new and interesting works. This week, we feature the work of Spencer Tunick, Amose, Alessandro Gallo, Alex Martinez (aka SHINE), Randy Olson, Chiharu Shiota, Moki Mioke, Nick Lamia and the video Kids Explain Art to Experts from Google Arts and Culture.

Moki Mioke mioke.de
Alex Martinez-aka-SHINE - Samuel-Beckett-Notting-Hill
Alessandro Gallo - alessandrogallo.net
Randy Olson olsonfarlow.com
Amose amose.fr
Nick Lamia nicklamia.com
Chiharu Shiota chiharu-shiota.com
Spencer Tunick - Sea-of-Hull spencertunick.com

Filed Under: ART, Group Feature, Installation, Mixed Media, Painting, Photography, Sculpture, Street Art, Video Tagged With: Alessandro Gallo, Alex Martinez, Amose, Chiharu Shiota, Moki Mioke, Nick Lamia, Randy Olson, Spencer Tunick

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