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M.C. Escher: 1898-1972

June 17, 2016 By Wendy Campbell

Maurits Cornelis Escher, best known for his mathematically inspired prints, was born on June 17, 1898 in Leeuwarden, Netherlands.  Escher spent much of his childhood in Arnhem where he attended school.  Though he did well at drawing, Escher did not excel in other subjects and received poor grades. From 1919 – 1922, Escher attended the School for Architecture and Decorative Arts in Haarlem where he initially studied architecture but shifted to drawing and printmaking.

After finishing school, Escher traveled through Italy, where he met Jetta Umiker, whom he married in 1924. For the next 11 years, Escher traveled throughout Italy, sketching for the prints he would make back in Rome.  The couple remained in Rome until 1935 when growing political turmoil (under Mussolini) prompted them to move first to Switzerland and then to Ukkel, a small town near Brussels, Belgium. In 1941, as German troops occupied Brussels, they moved once again to Baarn, Netherlands, where Escher lived until 1970.

During his lifetime, Escher created 448 lithographs, woodcuts and wood engravings and over 2,000 drawings and sketches. His work portrays mathematical relationships among shapes, figures and space and many of his drawings are composed around interlocking figures (tessellations) and impossible objects.  Escher used vivid contrasts of black and white to enhance different dimensions and integrated into his works were mirror images of cones, spheres, cubes, rings and spirals.

By the 1950s Escher had become highly popular and gave lectures around the world. He received the Order of Oranje Nassau in 1955. In 1958 he was featured in Time magazine and had his first important exhibition in Washington. Escher’s work continued to be popular and he traveled several times to North America for lectures and to see his son George who was living in Canada. In 1970 he moved to Rosa-Spier house in Laren, Netherlands, a retirement home for artists, where he died on March 27, 1972.

For more information on M.C. Escher visit MCEscher.com or for a more in depth biography visit The Escher Pages.

Puddle-MC-Escher-1952
Sun-and-Moon-MC-Escher-1948
Hand-With-Reflecting-Globe-MC-Escher-1935
MC-Escher-Ascending-and-Descending
Up-and-Down-MC-Escher-1947
Reptiles-MC-Escher-1943
Print-Gallery-MC-Escher-1956
Relativity-MC-Escher-1953
Moebius-Strip-II-Red-Ants-MC-Escher-1963
Hell-MC-Escher-1935
Belvedere-MC-Escher-1958
Fish-MC-Escher-1942
Eye-MC-Escher-1948
Drawing-Hands-MC-Escher-1948
Bond-of-Union-MC-Escher-1956
MC Escher - Tesselation104
Day-and-Night-MC-Escher-1938

A design Escher might have appreciated

 

 

Filed Under: ART, Art History, Drawing, Printmaking Tagged With: Dutch Art, Graphic Design, MC Escher, Netherlands Art

Art-e-Facts: 5 Random Art Facts – XXI

August 18, 2011 By Wendy Campbell

1. Considered a pioneer in modernism, Romanian artist Constantin Brâncuşi‘s sculpture “Bird in Space” was the cause of a court battle in 1926-27 when US customs officials refused to believe that bronze piece was art. They imposed the tariff for manufactured metal objects, 40% of the sale price or about $230 dollars.  Marcel Duchamp (who brought the sculptures from Europe), American photographer Edward Steichen (who was to take possession of Bird in Space), and Brâncuşi were furious. Under pressure from the press and artists, U.S. customs agreed to rethink their classification of the items, but until then released the sculptures on bond under “Kitchen Utensils and Hospital Supplies.” (Wikipedia)

2. In the movie Inception, The “Penrose Stairs” (with a woman perpetually picking up papers) is a reference to a lithograph print by the Dutch graphic artist M.C. Escher. First printed in 1960, the drawing is usually called “Ascending and Descending” or “The Infinite Staircase”.  Escher is well-known for his drawings exploring optical illusions and real architectural, mathematical, and philosophical principles rendered in fantastical ways. (IMDB)

3. The Mona Lisa by Leonardo da Vinci may contain hidden code. Art historians are investigating a real life “Da Vinci Code” style mystery after discovering tiny numbers and letters painted into the eyes of the Mona Lisa. Members of Italy’s National Committee for Cultural Heritage have revealed that by magnifying high resolution images of the Mona Lisa’s eyes letters and numbers can be seen. Silvano Vinceti, president of the Committee said, “You have to remember the ­picture is almost 500 years old so it is not as sharp and clear as when first painted….From the preliminary investigations we have carried out we are confident they are not a mistake and were put there by the artist.” (Daily Mail UK)

4. The well known saying “15 Minutes of Fame” was coined by Andy Warhol. The expression is a paraphrase of a line in Warhol’s exhibition catalog for an exhibit at the Moderna Museet, in Stockholm from 1968. The catalog read, “In the future, everyone will be world-famous for 15 minutes.” In 1979 Warhol stated his claim, “…my prediction from the sixties finally came true: In the future everyone will be famous for 15 minutes.” Becoming bored with constantly being asked about this particular statement, Warhol attempted to confuse interviewers by changing the statement variously to “In the future 15 people will be famous” and “In 15 minutes everybody will be famous.” As it turns out, with the rise of celebrity culture, reality TV, YouTube, and the internet, Warhol’s statement has been quite prophetic. (Wikipedia)

5. Paul Cézanne rarely considered his paintings finished. His friend and dealer Ambroise Vollard observed that “when Cézanne laid a canvas aside, it was almost always with the intention of taking it up again, in the hope of bringing it to perfection.” One consequence of this was that Cézanne rarely signed his or dated his works making it difficult to determine the chronology of his works. (Princeton)

Filed Under: ART, Art History, Art-e-Facts, Drawing, Sculpture Tagged With: Andy Warhol, Constantin Brancusi, Inception Movie, Leonardo da Vinci, MC Escher, Paul Cézanne, Penrose Stairs

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